Kaline Carter
My work explores geometry, color, and texture, drawing inspiration from Agnes Martin’s grids, the boldness of Andy Warhol and Keith Haring, and urban architecture. Since returning to painting in 2017, I started with intricate grid paintings and evolved to incorporate geometric patterns from nature and architectural elements of Los Angeles and New York.
This journey led to my Palm Springs and Key West series, culminating in my New Mexico series featuring larger, organic shapes. Utilizing smooth wooden panels, washi tape, auto-detailing tape, and acrylic paint, I achieve clean lines and matte finishes. My artistic process emphasizes material experimentation, conveying the beauty of simplicity and the intersection of nature and architecture.
About
Kaline Carter
Born in 1974 in Kingston, NY, my journey as a painter has been unconventional. After a brief time at Parsons School of Design, I stepped away from art for nearly two decades. Everything changed in 2012 when I met Amarillo artist Ann Crouch, who encouraged me to explore painting during my visits.
Following Ann's unexpected passing in 2017, I felt compelled to carry on her legacy. I began keeping a sketchbook, capturing architectural details and color pairings, inspired by Agnes Martin's work and our shared experiences. This exploration led me to acrylic painting and hard-edge geometric compositions.
Influenced by artists like Ellsworth Kelly and Bridget Riley, I developed a style that balances process and precision. Today, I distill architecture and landscapes into lines and planes, viewing painting as a way to translate the world around me. Agnes Martin's words guide me: “You must find the things that you do like,” inspiring my journey back to the studio.
