
Form & Function
Original Artwork by artist Sienna Cenere
Inspired by research and a love of wild spaces “Form & Function” sparks an appreciation for the diversity and vulnerability of the natural world through the union of art and scientific exploration. This mathematically informed series celebrates the beauty of nature through a collection of hand engraved Numberism illustrations on oil painted copper, aluminum and brass. These pieces were created by scratching thousands of tiny meaningful numbers and equations with fine blades. From the recursive fractal branching of trees to the biomechanics of avian flight, these illustrations are drawn with data that reveal how anatomy and physics shape the living world.
The heart of this collection features three insectivorous songbirds, the Yellow Warbler, Tree Swallow, and Eastern Kingbird, and asks the question:
“How does wing shape and body size influence the ecological niche of birds? ”
Though these birds share a common diet of insects, their foraging styles differ dramatically. These unique flight styles are coded into their bodies in measurable traits such as wingspan, wing area, aspect ratio and body mass. By measuring and comparing these differences, an anatomical origin of behavior starts to emerge!
The elliptical wings and small body mass of Yellow Warblers makes them adept at maneuvering through dense forests at low speeds, where they land on branches to pick larva and adult insects directly off of leaves. The Tree Swallow is an aerial forager, catching mature prey mid air with impressive agility and endurance, rarely stopping to rest. Their high aspect ratio wings and streamlined body reduces drag, enabling them to fly for long uninterrupted periods, however to stay aloft they must fly faster. The Eastern Kingbird, a hover gleaner and sally hawker, uses larger pectoral flight muscles to briefly hover and snatch prey from the air or from foliage.
From a distance these differences may seem subtle, and their habitat interchangeable provided there are insects present. However, when we take the time to look closely it becomes clear that they have evolved for very specialized little corners of the world, and when those areas are lost, they are ill equipped to switch to their neighbors territory.
Please join me in celebrating and protecting our precious world. A portion of profits from this exhibit will be donated to the Bird Alliance of Oregon.
Wing Loading: The ratio of a bird’s body weight to its wing area (g/cm²). As wingloading increases, birds must fly faster to maintain lift.
Aspect Ratio: A measure of wing shape, calculated by dividing wingspan by wing width. High aspect ratios (long, narrow wings) are efficient for sustained flight with minimal drag while low aspect ratios (shorter, rounded wings) are excel at maneuverability in tight spaces.
Pectoral Mass Percent The mass of the flight muscles (Pectoralis and Suprocoracoideus) relative to its body weight. A higher value correlates with increased power output.


FORM & FUNCTION
Join us for the fourth art exhibition of 2025 featuring Portland-based artist
Sienna Cenere
Opening Reception:
Thursday, June 26, 2025
5:30 PM – 9:00 PM
Capturing
Beauty through
Light
Each metal hand-numbering engraving is framed in a custom shadowbox frame with inset LED lighting and anti-reflective museum-quality glass. The light is tunable between three temperatures, and can be dimmed using convenient buttons on the power cord. This frame provides a backlit display that enhances the artwork and creates a vibrant effect.


About
Sienna Cenere
I create scientifically inspired work that explores the hidden nature of the biological world by meticulously hand drawing my subjects with the fundamental forces and chemical reactions that govern their form and function. Instead of traditional shading, I create each image by repeatedly writing meaningful data by hand, such as the tensile strength of a tendon or the Hz frequency of a whale’s song, until the composition takes shape. This method, which I call Numberism, is similar to stippling, but instead of dots, I draw with numbers and equations that describe the subject itself.
The foundation of my work is research, which can take several months, followed by many dozens of hours meticulously drawing my images on a variety of archival materials. My mixed media works incorporate oil paint on metal plates and water color on clayboard where I carve numbers into the surface with fine blades to reveal contrasting layers beneath. On paper, I use micron pens or pencil over a gouache background, allowing the intricate Numberism illustration to stand out against a vivid field of color.
Each piece is fueled by curiosity and aims to transform complex scientific concepts into accessible works of art that invite deeper connection to our shared and fragile world.
Learn more about her work in the interview we did with her.
